Valentin RotHmaler |
"p(a)ges"
Limerick City Gallery of Art, Ireland, 1999
Valentin Rothmaler, KUNST. (= German: Art) TAIDE. (= Finnish: Art), 1999
"Art. by Valentin Rothmaler
Exceptional artist can be counted on to produce a sizable quantity of
intelligent work deserving our special attention. But we live in a
crowded world and inevitably much of this production is neglected
and lost. Occasionally, however, an artist makes a work that is so
succinct, so apt in its context, that the work stays in the mind,
retaining its energy. Rothmaler's lifepreservers (Art.) have the vitality,
humour, and relevance that does not diminish.
There are many reasons why this particular work has unusual
concentration and force. This series is not representational, the
lifepreservers are real, functional. And the wit is direct, precise: we
know instantly that our illusions have been penetrated. For we know
that art never saved anyone or anything: if that were possible humans
would have been saved from their vanities many centuries ago. Art
has clearly failed to improve the human moral and spirital condition.
In fact art often serves as an excuse for pretentious displays of greed:
works of insight reduced to collector items, emblems of power.
Societies throughout history have featured their art to bolster their self
esteem (and their tourist industry). It is a currupt and futile practice.
Self respect is a function of respect for others, an intrinsic quality the
lack of which can not be effectively hidden behind culture. Great art
does not make us better than we are. It is absurd, for instance, to
suppose that artists can disguise the selfish cruelty and violence of our
present era, in spite of the best efforts of the world's Cultural Councils.
And yet, and yet, we continue to invest in art our irreducible hope for
healing. In the extremity of our moral failure art expresses our saving
aspiration: that by excercising our creative imaginations we will free
ourselves from our selfdestructive demons.
The paradox of Rothmaler's Art. is that. though apprently false, this
series articulates an ultimate truth. Art cannot save. Art saves.
These brilliant art/life preservers are worth preserving."
Robert Janz
reviewing a work in the p(a)ges exhibition in the City of Limerick Gallery of Art, 1999
Zeichnung von Robert Janz, 1999